One simple caveat: they must have done five or more films together. Let’s go!
10. Ridley Scott & Russell
Crowe
Gladiator (2000), A Good Year (2006), American Gangster (2007), Body
of Lies (2008), Robin Hood (2010)
A good start, of course – but then they made A Good Year. Not sure who
thought that putting one of Hollywood’s most intense leading men together with one
of its most heavy-handed helmers to make a lightweight knockabout comedy was a
wise move. American Gangster doesn’t do much wrong, but is completely
forgettable, which is the best thing you could say about… what was it called? Body of Evidence, or something? A return to the sort of film they did best was
welcome, but Crowe does make a distractingly mature Robin Hood.
9. Richard Donner & Mel Gibson
Lethal Weapon (1987), Lethal Weapon 2 (1989), Lethal Weapon 3 (1992), Maverick (1994), Conspiracy Theory (1997), Lethal
Weapon 4 (1998)
Not sure which is harder to believe – that Gibson used to be an A-list
leading man, or that he was once known as a strictly Catholic family man. Either way, it was Donner who got the most
out of the Australian to make audiences flock to see those blue eyes and that
peerless mullet; and in Lethal Weapon’s
Martin Riggs they took a superb Shane Black script and created an action hero
who was a lot more complex and unpredictable than his contemporaries. After peaking with charm-fest Maverick, things tapered off, and
neither star nor director has been the same since.
8. Tim Burton & Johnny Depp
Edward Scissorhands (1990), Ed Wood (1994), Sleepy Hollow (1999), Corpse
Bride (2005), Charlie and the
Chocolate Factory (2005), Sweeney
Todd: The Demon Barber of Fleet Street (2007), Alice in Wonderland (2010), Dark
Shadows (2012)
I admire and respect, rather than relish and enjoy, the output of these
two. As a director, Burton preferences
visuals and quirkiness over story and character too much for my likings; as a
star, Johnny is always just Johnny despite (and despite how much people like to go
on about) how eclectic his oeuvre is.
But there’s no denying that as a team they have been responsible for
some of the most memorable off-centre cinema of the last two decades, peaking
with the hilarious and affecting Ed Wood.
7. Woody Allen & Diane Keaton
Play It Again, Sam (1972), Sleeper (1973), Love and Death (1975), Annie
Hall (1977), Manhattan (1979), Interiors (1978), Radio Days (1987), Manhattan
Murder Mystery (1993),
A big part of the ‘early funny ones’ (with the exception of the dour Interiors), Keaton’s breezy charm was a
counterpoint to Allen’s neurosis – never better than in Oscar-magnet Annie Hall, of course. But her influence in early farces Sleeper and Love and Death, when Allen was still finding his feet as a
writer/director, cannot be underestimated either. In later times Woody turned to Mia Farrow and
a succession of other leading ladies to carry his films (Mira Sorvino, Jennifer
Tilly, Radha Mitchell, Scarlett Johansson…) but none have proved as mutually
beneficial as the original Miss Hall.
6. John Woo & Chow Yun-Fat
A Better Tomorrow (1986), A Better Tomorrow II (1987), The Killer (1989), Once a Thief (1991), Hard
Boiled (1992)
A toothpick chewing Yun-Fat brandishing two pistols and blasting through
hoards of triads without breaking a sweat is one of the truly iconic images of modern cinema. It took the outrageous direction of Woo
to take Chow out of cheesy Hong Kong comedy thrillers and into pure iconography via the first two A Better Tomorrow movies and the peak of both their careers, The Killer.
Simply put, when they work together it is pure action alchemy.
5. Tony Scott & Denzil
Washington
Crimson Tide (1995), Man on Fire (2004), Déjà Vu (2006), The Taking of Pelham 1 2 3 (2009), Unstoppable (2010)
After a decade’s gap between first working together on superior
Simpson/Bruckheimer thriller Crimson Tide, it’s seemed in
the noughties that these two can’t make a movie without each other. All the
technical riffs and gimmicks of Scott’s less-than-subtle direction need a strong figure to ground
the movie that’s buried somewhere underneath, and few have as steady a presence as
Denzil. After peaking with the
brilliantly over-the-top Man on Fire,
the duo produced a couple of duds, but were back on form with Washington now
playing the grizzled veteran to a new young hot shot, Chris ‘Captain Kirk’ Pine
in Speed rip-off (in a good way) Unstoppable.
4. Joel/Ethan Coen & Frances
McDormand
Blood Simple (1984), Raising Arizona (1987), Miller’s Crossing (1990), Fargo (1996), The Man Who Wasn’t There (2001) Burn
After Reading (2008),
The Coen boys have re-used a number of actors in their flicks: John Goodman, Steve Buscemi, John Tuturro,
Jon Plito. McDormand (Mrs. Joel Coen) is
their most frequent collaborator, ranging from a breakout performance in neo-noir Blood Simple to her hilarious
turn as cosmetic surgery-coveting gym bunny Linda Litzke in the farcical Burn After Reading. But it’s her Oscar-winning turn as Marge
Gunderson in Fargo that really stands
out, acting as the warm centre of a story inhabited by distinctly cold characters in icy
climes.
Elvis (1979), Escape from New York
(1981), The Thing (1982), Big Trouble in Little China (1986), Escape from L.A. (1996)
Carpenter chaperoned ex-Disney child star Russell through four iconic,
wildly varied roles. He gives one of the
best screen portrayals of the King (returned to in a bit of stunt casing twenty years
later for 3000 Miles to Graceland) and
channels Clint Eastwood for Escape from
New York and John Wayne for Big
Trouble in Little China, with surly pilot R.J. MacReady sandwiched in the
middle. And then the pair went and made Escape from L.A. Pity.
2. Steven Soderbergh & George
Clooney
Out of Sight (1998), Ocean's Eleven (2001), Solaris (2002), Ocean's Twelve (2004), The
Good German (2006), Ocean's Thirteen
(2007)
Cary Grant had Alfred Hitchcock, and George Clooney has Steven
Soderbergh. Both did a lot of good for
each other with their first collaboration, the fantastic Out
of Sight, which gave Soderbergh the hit that his Palme d’Or-winning debut Sex, Lies and Videotape had promised
nearly a decade earlier and rescued Clooney from the crash and burn of (shudder) Batman & Robin. Solaris was George’s first attempt to
stretch himself in a fully ‘serious’ role, and the Oceans films gave them both a franchise strong enough to recover
from the disappointment of The Good
German.
1. Martin Scorsese & Robert De
Niro
Mean Streets (1973), Taxi Driver (1976), New York, New York (1977),
Raging Bull (1980), The King of
Comedy (1983), Goodfellas (1990),
Cape Fear (1991), Casino (1995)
I do so hate to be predictable, but really it couldn’t have been anyone
else, could it? Never before or since has there
been such a holy matrimony of star and director working together in tandem at
the top of their respective games. The
movies are as iconic as the lead characters (or show-off support in the case of
Mean Streets’ Johnny), and that many
of their films regularly make best-ever lists is a testament to duo's combined
prowess. As a footnote, Marty seems to have
dumped Bobby for his new favourite, Leo – one more film together would have made
them eligible for this list.
Awesome but you missed out Chris Nolan and Christian Bale?
ReplyDeleteThat's a good one, but even with The Dark Knight Rises coming out that' still only four films, and I wanted to make it at least five, to narrow it down...
DeleteThat's a really good top. Speaking of more recent collaborations, have you seen any films by Steve McQueen? Steve with Michael Fassbender might become the new Scorsese and De Niro. His two films, Hunger and Shame, are very impressive and powerful, and the acting is top-notch.
ReplyDeleteThat's definitely a promising one. Hunger has to be the most grueling film I've ever watched - not what I would call an enjoyable experience, but powerful cinema. Shame had a similar vibe at times but tipped the scale towards the mainstream enough to be more accessible whilst still affecting. Fingers crossed they continue to work together!
DeleteI wholeheartedly agree with you about Hunger. That has got to be one of the most painful experiences I've ever had, but in a good way. I liked Shame even more, you can rarely see such a good character study nowadays. I still don't find Shame mainstream, as I've noticed many people complaining about the lenght of some scenes. Sure, you can compare the longshots from Shame, with the impressive dialogue from Hunger, but still...
DeleteHave you seen any Jean Pierre Melville films? Melville and Delon did a great job together.
Yeah you couldn't exactly call Shame mainstream, I agree, but at least they could market it and get it to a wider audience than Hunger. Hopefully off the back of it, and all the (deserved) plaudits Fassbender got (although scandalously no Oscar nom) we'll see more from McQueen.
DeleteNot too familiar with Melville, will endeavor to check out his work with Delon. Herzog and Kinski were somewhere in my top 20 but I wanted to keep it down to ten...